Paul mccartney live and let die7/13/2023 Further financial arrangements, including the publishing rights, earned him about $50,000, with 50% of the net profits. The contracts reveal that McCartney’s father-in-law lawyer, Lee Eastman, negotiated him a fee of $15,000 (£6,430 at that time) for composing Live and Let Die with his then wife, Linda. He added that the archival material – internal communications between lawyers and others representing McCartney and the Bond producers, Eon Productions – “undermines the story and shows it in a very different light”. Sinclair, an award-winning documentary-maker, said: “That became part of that collection of stories that George and Paul would tell over the years, and nobody ever corrected it.” Now when are you going to make the real track, and who shall we get to sing it?’ And George said, ‘What? This is the real track’.” After the record had finished they said to George, ‘That’s great, a wonderful demo. In one interview, McCartney said: “The film producers found a record player. ‘You know – we’ve got to have a girl, haven’t we?’” I still don’t follow,’ I said, feeling that maybe there was something I hadn’t been told. But who are we going to get to sing it for the film?’ ‘I’m sorry. But he was clearly treating it as a demo disc. After all, he was holding the Paul McCartney recording we had made. Now tell me, who do you think we should get to sing it?’ That took me completely aback. Like what you did, very nice record, like the score. In his 1979 memoir, All You Need is Ears, Martin recalled playing McCartney’s recording to Harry Saltzman, who produced the Bond films with Albert “Cubby” Broccoli: “He sat me down and said, ‘Great. Actually, the internal communications revealed that it was always in the contract that there would be two versions of the song.” Kozinn, music critic of the New York Times for 38 years until 2014, said: “This has been a longstanding story in the music world – the producers of Live and Let Die wanted to replace McCartney with a female singer. J.Roger Moore and Jane Seymour in the James Bond film Live And Let Die, 1973.
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